36. Robert Pinsky, 1997-2000

Shirt

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--

Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the pattern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
To wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
Both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.

31. Mark Strand, 1990-1991

The Coming of Light

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.

---

29. Richard Wilbur, 1987-1988

The Writer

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.

28. Gwendolyn Brooks, 1985–1986

We Real Cool

THE POOL PLAYERS.

SEVEN AT THE GOLDEN SHOVEL.

We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

---

The Mother

Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed

children.

I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,

and your deaths,

If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.

26. Anthony Hecht, 1982–1984

Saul and David

It was a villainous spirit, snub-nosed, foul

Of breath, thick-taloned and malevolent,

That squatted within him wheresoever he went

.......And possessed the soul of Saul.

There was no peace on pillow or on throne.

In dreams the toothless, dwarfed, and squinny-eyed

Started a joyful rumor that he had died

.......Unfriended and alone.

The doctors were confounded.

In his distress, he

Put aside arrogant ways and condescended

To seek among the flocks where they were tended

.......By the youngest son of Jesse,

A shepherd boy, but goodly to look upon,

Unnoticed but God-favored, sturdy of limb

As Michelangelo later imagined him,

.......Comely even in his frown.

Shall a mere shepherd provide the cure of kings?

Heaven itself delights in ironies such

As this, in which a boy's fingers would touch

.......Pythagorean strings

And by a modal artistry assemble

The very Sons of Morning, the ranked and choired

Heavens in sweet laudation of the Lord,

.......And make Saul cease to tremble.

25. Maxine Kumin, 1981-1982

Jack

How pleasant the yellow butter
melting on white kernels, the meniscus
of red wine that coats the insides of our goblets

where we sit with sturdy friends as old as we are
after shucking the garden's last Silver Queen
and setting husks and stalks aside for the horses

the last two of our lives, still noble to look upon:
our first foal, now a bossy mare of 28
which calibrates to 84 in people years

and my chestnut gelding, not exactly a youngster
at 22. Every year, the end of summer
lazy and golden, invites grief and regret:

suddenly it's 1980, winter buffets us,
winds strike like cruelty out of Dickens. Somehow
we have seven horses for six stalls. One of them,

a big-nosed roan gelding, calm as a president's portrait
lives in the rectangle that leads to the stalls. We call it
the motel lobby. Wise old campaigner, he dunks his

hay in the water bucket to soften it, then visits the others
who hang their heads over their dutch doors. Sometimes
he sprawls out flat to nap in his commodious quarters.

That spring, in the bustle of grooming
and riding and shoeing, I remember I let him go
to a neighbor I thought was a friend, and the following

fall she sold him down the river. I meant to
but never did go looking for him, to buy him back
and now my old guilt is flooding this twilit table

my guilt is ghosting the candles that pale us to skeletons
the ones we must all become in an as yet unspecified order.
Oh Jack, tethered in what rough stall alone

did you remember that one good winter?

24. William Meredith, 1978-1980

The Illiterate

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think this was because the hand
was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

His uncle could have left the farm to him,
Or his parents died before he sent them word,
Or the dark girl changed and want him for beloved.
Afraid and letter-proud, he keeps it with him.
What would you call his feeling for the words
That keep him rich and orphaned and beloved?

23. Robert Hayden, 1976–1978

Those Winter Sundays


Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.


I'd wake and hear the cold splintering, breaking.
When the rooms were warm, he'd call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love's austere and lonely offices?

21. Daniel Hoffman, 1973–1974

The Poem

Arriving at last

It has stumbled across the harsh
Stones, the black marshes.

True to itself, by what craft
And strength it has, it has come
As a sole survivor returns

From the steep pass.
Carved on memory's staff
The legend is nearly decipherable.
It has lived up to its vows

If it endures
The journey through the dark places
To bear witness,
Casting its message
In a sort of singing.

19. William Stafford, 1970–1971

Traveling through the Dark

Traveling through the dark I found a deer
dead on the edge of the Wilson River road.
It is usually best to roll them into the canyon:
that road is narrow; to swerve might make more dead.

By glow of the tail-light I stumbled back of the car
and stood by the heap, a doe, a recent killing;
she had stiffened already, almost cold.
I dragged her off; she was large in the belly.

My fingers touching her side brought me the reason--
her side was warm; her fawn lay there waiting,
alive, still, never to be born.
Beside that mountain road I hesitated.

The car aimed ahead its lowered parking lights;
under the hood purred the steady engine.
I stood in the glare of the warm exhaust turning red;
around our group I could hear the wilderness listen.

I thought hard for us all--my only swerving--,
then pushed her over the edge into the river.

10. Randall Jarrell, 1956-58

Next Day

Moving from Cheer to Joy, from Joy to All,
I take a box
And add it to my wild rice, my Cornish game hens.
The slacked or shorted, basketed, identical
Food-gathering flocks
Are selves I overlook. Wisdom, said William James,


Is learning what to overlook. And I am wise
If that is wisdom.
Yet somehow, as I buy All from these shelves
And the boy takes it to my station wagon,
What I've become
Troubles me even if I shut my eyes.


When I was young and miserable and pretty
And poor, I'd wish
What all girls wish: to have a husband,
A house and children. Now that I'm old, my wish
Is womanish:
That the boy putting groceries in my car


See me. It bewilders me he doesn't see me.
For so many years
I was good enough to eat: the world looked at me
And its mouth watered. How often they have undressed me,
The eyes of strangers!
And, holding their flesh within my flesh, their vile

Imaginings within my imagining,
I too have taken
The chance of life. Now the boy pats my dog
And we start home. Now I am good.
The last mistaken,
Ecstatic, accidental bliss, the blind

Happiness that, bursting, leaves upon the palm
Some soap and water--
It was so long ago, back in some Gay
Twenties, Nineties, I don't know . . . Today I miss
My lovely daughter
Away at school, my sons away at school,

My husband away at work--I wish for them.
The dog, the maid,
And I go through the sure unvarying days
At home in them. As I look at my life,
I am afraid
Only that it will change, as I am changing:

I am afraid, this morning, of my face.
It looks at me
From the rear-view mirror, with the eyes I hate,
The smile I hate. Its plain, lined look
Of gray discovery
Repeats to me: "You're old." That's all, I'm old.

And yet I'm afraid, as I was at the funeral
I went to yesterday.
My friend's cold made-up face, granite among its flowers,
Her undressed, operated-on, dressed body
Were my face and body.
As I think of her I hear her telling me

How young I seem; I am exceptional;
I think of all I have.
But really no one is exceptional,
No one has anything, I'm anybody,
I stand beside my grave
Confused with my life, that is commonplace and solitary.

8. Elizabeth Bishop, 1949–1950

Visits to St. Elizabeths

This is the house of Bedlam.

This is the man
that lies in the house of Bedlam.

This is the time
of the tragic man
that lies in the house of Bedlam.

This is a wristwatch
telling the time
of the talkative man
that lies in the house of Bedlam.

This is a sailor
wearing the watch
that tells the time
of the honored man
that lies in the house of Bedlam.

This is the roadstead all of board
reached by the sailor
wearing the watch
that tells the time
of the old, brave man
that lies in the house of Bedlam.

These are the years and the walls of the ward,
the winds and clouds of the sea of board
sailed by the sailor
wearing the watch
that tells the time
of the cranky man
that lies in the house of Bedlam.

This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
beyond the sailor
winding his watch
that tells the time
of the cruel man
that lies in the house of Bedlam.

This is a world of books gone flat.
This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
of the batty sailor
that winds his watch
that tells the time
of the busy man
that lies in the house of Bedlam.

This is a boy that pats the floor
to see if the world is there, is flat,
for the widowed Jew in the newspaper hat
that dances weeping down the ward
waltzing the length of a weaving board
by the silent sailor
that hears his watch
that ticks the time
of the tedious man
that lies in the house of Bedlam.

These are the years and the walls and the door
that shut on a boy that pats the floor
to feel if the world is there and flat.
This is a Jew in a newspaper hat
that dances joyfully down the ward
into the parting seas of board
past the staring sailor
that shakes his watch
that tells the time
of the poet, the man
that lies in the house of Bedlam.

This is the soldier home from the war.
These are the years and the walls and the door
that shut on a boy that pats the floor
to see if the world is round or flat.
This is a Jew in a newspaper hat
that dances carefully down the ward,
walking the plank of a coffin board
with the crazy sailor
that shows his watch
that tells the time
of the wretched man
that lies in the house of Bedlam.

3. Robert Penn Warren, 1944-45

True Love

In silence the heart raves. It utters words
Meaningless, that never had
A meaning. I was ten, skinny, red-headed,

Freckled. In a big black Buick,
Driven by a big grown boy, with a necktie, she sat
In front of the drugstore, sipping something

Through a straw. There is nothing like
Beauty. It stops your heart. It
Thickens your blood. It stops your breath. It

Makes you feel dirty. You need a hot bath.
I leaned against a telephone pole, and watched.
I thought I would die if she saw me.

How could I exist in the same world with that brightness?
Two years later she smiled at me. She
Named my name. I thought I would wake up dead.

Her grown brothers walked with the bent-knee
Swagger of horsemen. They were slick-faced.
Told jokes in the barbershop. Did no work.

Their father was what is called a drunkard.
Whatever he was he stayed on the third floor
Of the big white farmhouse under the maples for twenty-five years.

He never came down. They brought everything up to him.
I did not know what a mortgage was.
His wife was a good, Christian woman, and prayed.

When the daughter got married, the old man came down wearing
An old tail coat, the pleated shirt yellowing.
The sons propped him. I saw the wedding. There were

Engraved invitations, it was so fashionable. I thought
I would cry. I lay in bed that night
And wondered if she would cry when something was done to her.

The mortgage was foreclosed. That last word was whispered.
She never came back. The family
Sort of drifted off. Nobody wears shiny boots like that now.

But I know she is beautiful forever, and lives
In a beautiful house, far away.
She called my name once. I didn't even know she knew it.

Poet Laureate of the United States Series

I have decided, mostly for my own enlightenment, to start a poetry series.
These poets will be the Poet Laureates of the United States. There have been 43 to date. The actual title is Poet Laureate Consultant in Poetry to the Library of Congress. Since 1937 many of my favorite American poets have been appointed this honor, and many poets that I am not as familiar with have also held this post.
Enjoy, and perhaps you may find a new favorite American poet.

1. 1937–1941 Joseph Auslander
2. 1943–1944 Allen Tate
3. 1944–1945, 1986-1987 Robert Penn Warren (first called PL Consultant in Poetry to the LofC)
4. 1945–1946 Louise Bogan
5. 1946–1947 Karl Shapiro
6. 1947–1948 Robert Lowell
7. 1948–1949 Leonie Adams
8. 1949–1950 Elizabeth Bishop
9. 1950–1952 Conrad Aiken (first to serve two terms, 2 years)
10. 1956–1958 Randall Jarrell
11. 1958–1959 Robert Frost
12. 1959–1961 Richard Eberhart
13. 1961–1963 Louis Untermeyer
14. 1963–1964 Howard Nemerov
15. 1964–1965, 1984–1985 Reed Whittemore
16. 1965–1966 Stephen Spender
17. 1968–1970 William Jay Smith
18. 1966–1968 James Dickey
19. 1970–1971 William Stafford
20. 1971–1973 Josephine Jacobsen
21. 1973–1974 Daniel Hoffman
22. 1974–1976, 2000-2001 Stanley Kunitz
23. 1976–1978 Robert Hayden
24. 1978–1980 William Meredith
25. 1981–1982 Maxine Kumin
26. 1982–1984 Anthony Hecht
27. 1984–1985 Robert Fitzgerald (appointed and served in a health-limited capacity)
28. 1985–1986 Gwendolyn Brooks
29. 1987–1988 Richard Wilbur
30. 1988–1990 Howard Nemerov
31. 1990–1991 Mark Strand
32. 1991–1992 Joseph Brodsky
33. 1992–1993 Mona Van Duyn
34. 1993–1995, 1999-2000 Rita Dove (joint Special Bicentennial Consultant 1999-2000)
35. 1995–1997 Robert Hass
36. 1997–2000 Robert Pinsky
37. 1999–2000 W.S. Merwin (joint Special Bicentennial Consultant)
38. 2001–2003 Billy Collins
39. 2003–2004, 1999-2000 Louise Glück (joint Special Bicentennial Consultant 1999-2000)
40. 2004–2006 Ted Kooser
41. 2006–2007 Donald Hall
42. 2007–2008 Charles Simic
43. 2008–2009 Kay Ryan